Better Dick?
After 32 (full-time) years, Dick Locher has retired from Dick Tracy. Some, myself included, would add finally to that.
Locher first started assisting strip creator Chester Gould on Dick Tracy in the late 50’s. He left Gould in the 70’s to draw editorial cartoons, but then returned to take over the strip in 1986. In 2009 Jim Brozman came onboard to do penciling.
Horrible penciling.
Take a look at the difference between Saturday (Locher and Brozman’s last daily) and yesterday’s ( Staton and Curtis’ first daily) strip.
There really is no excuse for Dick’s arm in panel 3. There’s style and there’s sloppy. Unfortunately, this has been typical of the strip for a long time.
Wow! Like going from Rob Liefeld to someone that can draw feet, huh?
Locher’s glacial pacing, even by serial strip standards, was also a major drawback. Dick Tracy makes Mary Worth look like MTV.
I’m already excited about the new team. In the first strip we have 3 things happening in 3 panels! Dick woke up, his “wrist geenee” rang, and we saw the caller summon him to the office. That’s an entire week of Locher strips, not counting the Sunday recap.
I was first introduced to Dick Tracy in the Sunday Daily News that I discussed once in an earlier post. I wasn’t a fan, being more drawn to gag-a-day strips and serials like Dondi that had characters I could empathize with more. (It also looks like I first saw the strip after Gould had started to experiment with goofy sci-fi a bit, and was on his way out.) Of course at this point I had already started reading Bronze Age Marvel comics, and was also comparing Tracy to the Hulk, Spider-Man, and the Fantastic Four.
But a few years later DC Comics (I believe?) reprinted some of Chester Gould’s classic strips, with the first appearance of villains like Flattop, Pruneface, and Breathless Mahoney. They assembled them like comics, which helped make the material more accessible for a young “Marvel Zombie,” but in addition, the strips were damn good. Gould had a punchy, simple style, with great pacing and characters that were iconic and archetypical without being too exaggerated.
I also completely missed Max Allan Collins run on the strip which I have read good things about. Apparently with Collins writing and Locher pencilling, the strip was pretty good for a decade or so. I have a few issues of Collins’ Ms. Tree. Good stuff.
Hopefully the new team heralds another revival of what ought to be a good strip.
I’ll leave you with Locher and Brozman’s swan song.
Dick Tracy, March 13, 2011
For many, Dick Tracy looking at his wrist radio watch (later wrist TV watch) is the iconic Tracy image. That's why Locher/Brozman show it so often. You'd think that after a few year's of practice they'd have nailed, huh?
Nope.
5 comments:
It's a mixture of joy and sadness about Locher's departure. There was a time when Locher was golden. It is the ravages of age that have made his last few years horrible. I pray we don't go through it all again with Staton.
Brozman has no such excuse, unless he's had a brain injury. He's actually proud of his crap work on Dick Tracy and quick to hide behind Gould's own quirks from art that's seventy years old as an excuse.
You know you've hit bottom when your last defender is Matt Hansel ("Apollo, The Totally Original Superhero Strip That Isn't Poorly Traced From Batman Comics So Stop Saying That Shut Up Shut Up Shut Up").
It's about time that this "creative" (and I use the term loosely) retires. I've always hated Dick Locher's art, especially following Rick Fletcher's all too brief run on the strip.
I have high hopes for the new team..
I just oreder some repirnts of Collins/Locher's run on Dick Tracy. I'd like to see what it looked like.
Gould had quirks, but like I said - I think there's style and then there is sloppy. Gould's work doesn't need any excuses. It was good and Gould understood (at least instinctively) things like perspective.
I wasn't familiar with Hansel. Based on a quick look, I'll keep it that way.
Rob Liefield, LOL
Yes Liefeld, FTW. What else do you think of when you see crappy comic art?
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